Juliana Kang Robinson uses art-making to reflect on power dynamics in the world. Her scenarios reflect the disparities in resources between societies, whose divisions are manifested physically in the world by borders, territorial markers, mounds, and paths.
Born in South Korea, she received her MFA from the School of the Art Institute of Chicago. She is the recipient of the Nippon Steel Presidential Award, the LeRoy Neiman Foundation Fellowship at the Ox-Bow School of Art and The Women's Studio Workshop Artist Residency. Her work can be found in collections nationally and internationally, such as the Joan Flasch Collection at the School of the Art Institute of Chicago, The Women's Studio Workshop, Garfield Park Conservatory of Chicago, National Museum of Contemporary Art in Oslo, the Artists' Books Collection at the Rikhardinkatu Library of Helsinki, Morris Graves Museum of Art, Museum of Contemporary Craft in Portland, Oregon, the San Francisco Public Art collection and the New York Public Library.
Past projects include solo exhibitions at the Diaspora Vibe Gallery in Miami, the Asia Society San Francisco, Ox-Bow Gallery in Saugatuck, Michigan and Artemesia Gallery in Chicago, as well as collaborative art projects with the Euphrat Museum, Marin Museum of Contemporary Art, De Anza College, San Jose State University, the Asian American Women Artists Association and SomArts Gallery in San Francisco.
In 2015, she was selected as one of twelve artists nationwide at the 21st Juried Exhibition at the Korean Cultural Center in Los Angeles and an invited guest artist for the group exhibition Hungry Ghosts hosted by the Asian American Women Artists Association at the historic Manilatown Center Gallery in San Francisco.
She has taught at institutions such as the School of the Art Institute of Chicago, Harrington College of Design, University of California at Berkeley, California College of Art and De Anza College. Lives and works in Mercer Island, WA.
Complete CV available here as pdf download.